The McClatchy Company publishes 29 daily newspapers across the US. Working with Garcia Media, they have spent the last year developing a unified design language that will bring together the print papers, mobile apps, and web editions with a more consistent overall look. We designed a set of typefaces that will help to bridge the gap between design consistency and individual character.
Paul will be speaking in Dublin. The event has been organized by the National Print Museum in conjunction with Typography Ireland. Tickets are limited, please contact email@example.com to reserve a place.
Christian Schwartz will be speaking on designing type for newspapers at a special session on type and typography at the Society for News Design conference in Washington, DC. For more information, see the main conference site or this page with info in the special session.
Berton Hasebe has added two new families to the Druk collection: Druk Text and Druk Text Wide. These families are designed to be useful for the small elements of display typography that give structure and texture to a page without requiring dramatic changes in scale. Each is comprised of 4 weights with italics.
Venerable architecture, interiors, and product design magazine Metropolis has unveiled a clean, smart, and well-structured new look with their December 2014 issue, designed by Adam Lucas and Andrew LeClair, using Marr Sans and Publico Text and Text Mono throughout.
Miguel will be giving a 2-day workshop on brush lettering as part of the Proyecta series of events being held between December and February to promote design and innovation in the state of Oaxaca in Mexico. Miguel's workshop will be free of charge but is limited to 15 participants. For more information or to sign up, see the Proyecta website or the page for the workshop. Commercial Type is happ...
Dala Prisma is a development of the stencil typeface Dala Floda, replacing the solid forms with a series of stripes which vary in width, offering a wonderful optical effect. The family was conceived by Paul Barnes and drawn by Ben Kiel of Typefounding, using a purpose-built tool by the brilliant Frederik Berlaen, the creator of Robofont. Dala Prisma is available in three weights: Roman, with 3 ...
Drawn by Berton Hasebe, Produkt is the slab serif version of the sans Graphik family. This typeface follows the twentieth century tradition of adding slabs to a European Grotesk to create an attractive and functional companion serif typeface.
Ariel Cepeda has redesigned Le Dimanche Matin, the Sunday edition of the Lausanne-based French language Daily Le Dimanche, serving the Vaud region. Headline typography is in Kai Bernau's Lyon Display and Produkt, a slab serif companion to Graphik designed by Berton Hasebe with Christian Schwartz, slated for release in November 2014.
Paul will be one of the speakers at a symposium on Didot and Modern typefaces on 16–17 October 2014, organized by Sébastien Morlighem. The other speakers include James Mosley, François Rappo, and Loïc Sander.
We had some of our 2010-2014 type specimen books left, but we overwhelmed by demand, and they went much more quickly than we expected. We plan to print a new specimen in 2015, so do send your address if you would like to be on the mailing list for the next one: firstname.lastname@example.org.
Commercial Type is delighted to announce the release of Darby Sans, a contemporary family of two related sans serifs: one is the functional Darby Sans; the other a more delicate and refined display version for large sizes, where the contrast is dramatically higher. Drawn by Paul Barnes together with Dan Milne, the roots of Darby lie in the British tradition of lettering and typefounding that be...