Feature Collection

Feature Display Family, 14 styles
Feature Display ExtralightA digital gazetteer of the names, type & location of features on the seafloor made available by the GEBCO Sub-Committee on Undersea Feature Names (SCUFN).
Feature Display Condensed Family, 8 styles
Feature Display Condensed Bold ItalicSpecial Issue: “Feature Papers from Condensed Matter Editorial Board Members”
Feature Deck Family, 10 styles
Feature Deck ExtraboldThe main features of New Industrial Policy 1991 were: (1) public sector de-reservation, (2) industrial licensing abolished, (3) disinvestment in the public sector, (4) allowing foreign capital investment, etc.Feature Deck Light Italic‘AHS: Double Feature’ Star Leslie Grossman Reveals What Happens After That ‘Terrifying’ Alien Birth
Feature Deck Condensed Family, 8 styles
Feature Deck Condensed RegularLearning Condensed Feature Representations from Large Unsupervised Data Sets for Supervised Learning; Anthology ID: P11–2112Feature Deck Condensed Bold ItalicScene features are extracted from 224×224 pixel centre crops with a DenseNet-161 model pretrained on Places365.
Feature Text Family, 6 styles
Feature Text RegularThe most common text features of a book include the table of contents, the index, headings, captions, bold words, illustrations, photographs, the glossary, labels, graphs, charts, and diagrams. Many of these text features can also be found in newspapers, magazines, or individual articles.Feature Text Regular ItalicMost feature films are between 75 and 210 minutes long. The first narrative feature film was the 60-minute The Story of the Kelly Gang (1906, Australia). The first (proto)-feature-length film adaptation was Les Misérables (1909, U.S.). Other early feature films include L’Inferno, Defence of Sevastopol (1911), Oliver Twist (American version), Oliver Twist (British version), Richard III, From the Manger to the Cross, Cleopatra (1912), and Quo Vadis? (1913).

Christian Schwartz and Berton Hasebe originally designed Feature for T: The New York Times Style Magazine in 2018. Diagonal stress, mismatched contrast between main strokes and serifs, and sharply angled head serifs conspire to give the face tension, dynamism, and immediacy. The collection has been expanded for release by Hrvoje Živčić, who expanded the weight range, finished the condensed display faces, and drew italics for the entire collection. The Text cut comes with small caps, and all of the families come with lots of useful alternates.

SPECIMENS (4)