New release: Marr Sans by Paul Barnes and Dave Foster


Despite its modest size, Scotland’s influence upon the world has been enormous. The television, the telephone, modern economics, golf, and, it is believed, the fried Mars bar were all invented by people of Scottish extraction. The same can be said in typefounding; the companies of Alexander Wilson & Son in Glasgow, and William Miller (later Miller & Richard) in Edinburgh produced some of the finest typefaces of the eighteenth and nineteenth centuries. The omnipresent Georgia owes much to these foundries’ pioneering ideas. Lesser known to contemporary designers is the successor to Wilson, James Marr & Co. of Edinburgh.

Marr Sans is a 2014 revival of a characterful grotesque that appeared in only one weight during the 1870s. Paul Barnes and Dave Foster have expanded this original into a seven weight family.

One of the innovations of the nineteenth century captured in Marr, are the first sans serif oldstyle figures in a typeface, at the time a considerable novelty.

The italic shows signs of ’true’ italic form, such as an alternative single storey a. However, for the main part it has the feeling of the slanted roman rather than the cursive forms of many nineteenth century revivals. Whilst Graphik and Atlas represent the desire for homogenity and universality of the twentieth century sans, Marr, like Druk, revels in the more individual and at times eccentric nature of the nineteenth century pioneers of the form. This means that Marr is an excellent companion to serifs with a stronger personality, such as AustinLyon, and Portrait

Going from an elegant Thin to an industrial strength wide Ultra Black, Marr Sans captures a utilitarian but sharp and distinctive aesthetic. The family is useful for graphic design, but not out of place in editorial or corporate design. Though its eccentricities belie its nineteenth century origins, they never overwhelm its usefulness. Like Franklin Gothic and Morris Fuller Benton’s other loosely related gothics for ATF in the early 20th century, its organic shapes make for very comfortable reading. 

Marr Sans comes in seven weights with italics, designed for both text and display usage. The family is available for use on the desktop, for self-hosted web use, and for embedding in mobile apps.


Metropolis redesigned with Marr Sans, Publico, and Druk

Venerable architecture, interiors, and product design magazine Metropolis has unveiled a clean, smart, and well-structured new look with their December 2014 issue, designed by Adam Lucas and Andrew LeClair, using Marr Sans and Publico Text and Text Mono throughout.