Publications

PUBLICATIONS | 23 AUGUST 2015

Graphik Round for the 2015 Hot Ten in Bon Appétit

Christian Schwartz drew Graphik Round Black for Bon Appétit's 2015 Hot Ten, their annual roundup of the ten best new restaurants in the US.
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PUBLICATIONS | 10 AUGUST 2015

A titling face for New York magazine’s fall fashion issue

Greg Gazdowicz drew an all-caps titling typeface for New York magazine’s 2015 fall fashion issue.
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PUBLICATIONS | 29 JUNE 2015

New typefaces for The Daily Telegraph

The Daily Telegraph has undergone a design transformation to mark its 160th anniversary. Under the guidance of design director, Jon Hill, one of the last remaining quality daily broadsheets in the UK has a completely new typographic dress from Commercial Type. Working closely with Hill was Commercial Type partner, Paul Barnes, who has developed two new type families as well as designing the new...
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PUBLICATIONS | 12 MAY 2015

New typefaces for the 29 daily newspapers published by The McClatchy Company, starting with 3 in California

The McClatchy Company publishes 29 daily newspapers across the US. Working with Garcia Media, they have spent the last year developing a unified design language that will bring together the print papers, mobile apps, and web editions with a more consistent overall look. We designed a set of typefaces that will help to bridge the gap between design consistency and individual character.
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PUBLICATIONS | 19 DECEMBER 2014

Metropolis redesigned with Marr Sans, Publico, and Druk

Venerable architecture, interiors, and product design magazine Metropolis has unveiled a clean, smart, and well-structured new look with their December 2014 issue, designed by Adam Lucas and Andrew LeClair, using Marr Sans and Publico Text and Text Mono throughout.
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PUBLICATIONS | 21 OCTOBER 2014

Produkt debuts in Le Matin Dimanche and Femina, redesigned by Ariel Cepeda

Ariel Cepeda has redesigned Le Dimanche Matin, the Sunday edition of the Lausanne-based French language Daily Le Dimanche, serving the Vaud region. Headline typography is in Kai Bernau's Lyon Display and Produkt, a slab serif companion to Graphik designed by Berton Hasebe with Christian Schwartz, slated for release in November 2014.
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PUBLICATIONS | 29 SEPTEMBER 2014

Lettering for Bon Appétit’s Party Issue

Miguel Reyes lettered a number of headlines and dropcaps for Bon Appétit’s October 2014 "Party Issue" special package.
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PUBLICATIONS | 8 SEPTEMBER 2014

Lettering for the 2014 Hot Ten in Bon Appétit

Commissioned by Alex Grossman and Kristin Eddington, Miguel Reyes and Christian Schwartz provided eleven pieces of lettering for the 2014 Hot Ten, Bon Appétit's annual list of the ten best new restuarants in the US.
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PUBLICATIONS | 19 AUGUST 2014

Chiswick Sans Low in ’SUP

Another part of Paul Barnes's onging Chiswick project, first seen in O, the Oprah Magazine in 2010, and later in Document Journal in 2013, has made its public debut in the latest edition of ’SUP MAGAZINE.
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PUBLICATIONS | 15 APRIL 2014

Chiswick Sans High in Document Journal #4

Chiswick Sans High has had its first public use in issue number 4 of Document Journal, a New York-centric fashion, art, and culture magazine. started by Paul Barnes in 2009 when he was drawing Chiswick.
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PUBLICATIONS | 13 APRIL 2014

Graphik Titling for T, the New York Times Style Magazine

A small addition to Graphik debuted in today's issue of T, the New York Times Style Magazine: Graphik Titling, based on the as-yet unreleased Condensed, X Condensed, and XX Condensed widths of Graphik.
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PUBLICATIONS | 21 FEBRUARY 2014

Wallpaper* Design Awards 2014

The latest issue of Wallpaper* uses Portrait Inline to great effect, along with the rest of the family and Darby Sans Text, for their 2014 Design Awards.
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PUBLICATIONS | 16 FEBRUARY 2014

Schnyder Wide for T, the New York Times Style Magazine

A Wide width in three weights has been added to Schnyder for this year's issues of T, the New York Times Style Magazine. Schnyder was originally designed by Berton Hasebe and Christian Schwartz for the 2013 top-to-bottom redesign by creative director Patrick Li and his team of Shawn Carney and Aurelie Pellissier.
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PUBLICATIONS | 15 NOVEMBER 2013

Neue Haas Grotesk Agate for Bloomberg Businessweek

This year, Bloomberg Businessweek’s year-end double issue is focused on the year ahead, but it also includes a number of very dense spreads of hard data from various industries, showing a snapshot of the current state of many companies. In order to pack as much information as possible into the limited space available, creative director Richard Turley commissioned an Agate version of Neue ...
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PUBLICATIONS | 15 SEPTEMBER 2013

Duplicate Ionic for NZZ am Sonntag

Once known as Zizou, and before that Clouseau, Christian Schwartz's Duplicate has expanded from a small family of sans serifs into a 3-family collection. In addition to the Sans and Slab, the family has been rounded out with the Clarendon-inspired Duplicate Ionic, designed by Miguel Reyes (directed by Schwartz) for a redesign of Zurich's Neue Zürcher Zeitung am Sonntag recently completed b...
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PUBLICATIONS | 5 SEPTEMBER 2013

New logotype for Vanity Fair

The new logotype drawn by Christian Schwartz for Vanity Fair debuted on the 100th anniversary issue, dated October 2013. The look of the logotype refers both to the magazine's historical logotypes and to the new VF Didot typeface designed by Schwartz and Barnes for the magazine earlier in the year.
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PUBLICATIONS | 8 AUGUST 2013

Darby for Wallpaper*

Iconic British style and interiors magazine Wallpaper* has debuted a complete redesign with their September 2013 issue. The redesign was carried out by new creative director Sarah Douglas and art director Lee Belcher. The new type palette features Darby, a brand new typeface by Paul Barnes completed for this redesign, plus Berton Hasebe's Portrait, which is now complete and will be release...
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PUBLICATIONS | 5 AUGUST 2013

VF Didot for Vanity Fair

Vanity Fair design director Chris Dixon has been refreshing the look of the magazine since he arrived in late 2011. Part of this upgrade was a new display typeface to replace the Didot the magazine has been using for nearly 20 years. After nearly a year-long design process, VF Didot, designed by Paul Barnes and Christian Schwartz, debuted on the cover of the August 2013 issue.
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PUBLICATIONS | 24 MAY 2013

Druk Wide by Berton Hasebe for Bloomberg Businessweek

Creative Director Richard Turley and his team, with help from consultant Mark Leeds, have refreshed Bloomberg Businessweek from top to bottom for the first time since their major redesign in 2010. The changes through the front section of the magazine are minor, but Etc. has been completely rethought, with an exuberant approach to display typography centered around the extremely condensed versio...
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PUBLICATIONS | 9 MAY 2013

Duplex for MittMedia, a newspaper group in Sweden

Danish newspaper design specialists Ribergård + Munk commissioned a pair of headline typefaces from us as part of a sweeping overhaul of well over a dozen daily newspapers published throughout Sweden by MittMedia.
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