Magazines

Commercial Type partners Paul Barnes and Christian Schwartz have designed a series of new typefaces for Nature, one of the world’s leading scientific journals. Working closely with creative director Kelly Krause and external design consultant Mark Porter, Barnes and Schwartz have created Harding, a multi weight text and display family

Hanya Yanagihara is now editor in chief of T, the New York Times Style Magazine, leading creative director Patrick Li and his staff to reimagine the look of the magazine from front to back, once again enlisting Berton Hasebe and Christian Schwartz to create custom typefaces for the redesign: Kippenberger, an all-purpose sans; and Fact, a compact and utilitarian serif.

Creative director Darhil Crooks has commissioned a new display sans for The Atlantic. Drawn by Christian Schwartz, this typeface helps to give a new personality to the feature well.

Christian Schwartz drew a new display serif face called Gingrich for the 1000th issue of Esquire. The typeface is named for the founding editor of the magazine.

Christian Schwartz drew Graphik Round Black for Bon Appétit's 2015 Hot Ten, their annual roundup of the ten best new restaurants in the US.

Greg Gazdowicz drew an all-caps titling typeface for New York magazine’s 2015 fall fashion issue.

Venerable architecture, interiors, and product design magazine Metropolis has unveiled a clean, smart, and well-structured new look with their December 2014 issue, designed by Adam Lucas and Andrew LeClair, using Marr Sans and Publico Text and Text Mono throughout.

Ariel Cepeda has redesigned Le Dimanche Matin, the Sunday edition of the Lausanne-based French language Daily Le Dimanche, serving the Vaud region. Headline typography is in Kai Bernau's Lyon Display and Produkt, a slab serif companion to Graphik designed by Berton Hasebe with Christian Schwartz, slated for release in November 2014.