Bloomberg Businessweek

BLOOMBERG BUSINESSWEEK | 15 NOVEMBER 2013

Neue Haas Grotesk Agate for Bloomberg Businessweek

This year, Bloomberg Businessweek’s year-end double issue is focused on the year ahead, but it also includes a number of very dense spreads of hard data from various industries, showing a snapshot of the current state of many companies. In order to pack as much information as possible into the limited space available, creative director Richard Turley commissioned an Agate version of Neue ...
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BLOOMBERG BUSINESSWEEK | 24 MAY 2013

Druk Wide by Berton Hasebe for Bloomberg Businessweek

Creative Director Richard Turley and his team, with help from consultant Mark Leeds, have refreshed Bloomberg Businessweek from top to bottom for the first time since their major redesign in 2010. The changes through the front section of the magazine are minor, but Etc. has been completely rethought, with an exuberant approach to display typography centered around the extremely condensed versio...
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BLOOMBERG BUSINESSWEEK | 2 JANUARY 2013

A rounded sans revival for Bloomberg Businessweek

Paul Barnes's revival of a rounded sans serif originally produced by the Caslon foundry around 1839 provides levity in a special issue on investing, the final edition of Bloomberg Businessweek for 2012.
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BLOOMBERG BUSINESSWEEK | 19 NOVEMBER 2012

Publico Monospaced for Bloomberg Businessweek

Christian Schwartz created a monospaced version of Publico Text for Bloomberg Businessweek. Originally drawn (but not used) for the election special issue, it found its way into the November 19-25 2012 issue, in an article about the shady world of compounding pharmacies.
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BLOOMBERG BUSINESSWEEK | 12 OCTOBER 2012

Bloomberg Businessweek Election Issue

Bloomberg Businessweek put out a special issue on the US presidential election this week, once again completely upending their standard format to tell a story in depth. For this graphics-intensive issue, we created a monospaced version of Neue Haas Grotesk (not planned for future release), for use in typesetting the issue's data. A set of alternates gives the face the ability to feel more like ...
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BLOOMBERG BUSINESSWEEK | 23 DECEMBER 2011

Druk XXXX Condensed and more for 2011 Bloomberg Businessweek Year in Review

2011 was a densely packed and chaotic year, so the type needed to help reflect this in Bloomberg Businessweek's Year in Review issue. Berton Hasebe added some very dramatically condensed versions to his already very condensed sans family Druk, while Christian Schwartz pulled some Neue Haas Grotesk numerals in the opposite direction. Berton also provided some impossibly condensed pieces of lette...
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BLOOMBERG BUSINESSWEEK | 24 OCTOBER 2011

Neue Haas Grotesk Stencil for Bloomberg Businessweek Sports issue

Bloomberg Businessweek Creative Director Richard Turley wanted something a little bit more flexible than just a piece of lettering to tie a special section on sports together, so Christian Schwartz created a stencil version of the Regular weight of their Neue Haas Grotesk, loosely inspired by the work of Lawrence Weiner (who, ironically, despises Helvetica).
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BLOOMBERG BUSINESSWEEK | 5 AUGUST 2011

Druk by Berton Hasebe for Bloomberg Businessweek

Berton Hasebe has designed Druk, a condensed sans serif in 4 weights, for Richard Turley and his team at Bloomberg Businessweek.
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BLOOMBERG BUSINESSWEEK | 23 APRIL 2010

Relaunching Bloomberg Businessweek

BusinessWeek relaunched as Bloomberg Businessweek with their latest issue. New creative director Richard Turley asked us to revisit our painstakingly faithful digital revival of Max Miedinger's original Neue Haas Grotesk, which had been commissioned but not ultimately used by The Guardian in 2004.
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